Asshole Taxonomy presents: "The Neo Nerd."

I have bemoaned, here and elsewhere, that while the Internet is a wonderful invention in terms of its capacity for expanding freedom of expression and thought—and possibly democracy itself—it is also killing us all, dammit. While there is a certain charm in the idea that any dribbling hill person can have an Internet Web Log in which to stammer out the innermost machinations of his or her brain (long Swiss-cheese’d by a combination of Creutzfeldt-Jakob and turpentine cocktails), the Internet is fraught with the same perils of all cultural expansions. Not only does it open up an unprepared West for all the horrid perversions of the Orient, it also allows groups formerly relegated to the outskirts of acceptability and decency a place to congregate, confabulate, and masturbate.

It in this unforeseen capacity that the Internet is mostly responsible for this post’s Asshole: The Neo-Nerd.

“But Jackson!” you might say, as you typically do whenever I need this construction, “Cannot you, yourself, be classified as a nerd? Do you not enjoy an occasional science fiction romp? Are you not highly critical of the new Transformers movie due to your not-so-secret homorobotic crush on Optimus Prime? Do you not wear glasses and work in a book store and contribute to an Internet Web Log that regularly references such things as the Technodrome?” And, after hissing and shushing you because of the possible presence of ladies, I would admit it as so. And yet, while I may be a considerable nerd I am not—and as God as my witness will never be—a Neo-Nerd.

And what, pray tell, is the difference? What makes a nerd fit to walk upright among men while the Neo-Nerd, in a just and sensible society, would be banished to the sewers, forever to feast upon the refuse of the society that shunned it? Allow me first to properly secure my ranting hat.

Nerdiness has become an acceptable part of society. Everything from calculator watches to quoting Star Wars has become a-OK. Comic book movies are blockbusters and nominated for Academy Awards. Lost has made science fiction palatable. But there is always balance in the universe—and as such, some nerds were pushed into a dark wasteland opened up by once-beautiful openness of the Internet. Suddenly there is someone who does want to read your stories about Captain Kirk giving it to Obi Wan Kenobi. Suddenly there is someone who does want to argue with you about why it’s “Elvish” and not “Elfish.” Suddenly there is someone who also likes to dress up like a wolf and…do whatever Furries do. I assume rub each other and howl or something.

There is a Never Never Land, children, and good Lord in Heaven is it eye-meltingly horrible. Peter Pan doesn’t fight pirates and live in a kick-ass tree-house here, kids. Instead he insists he’s a vampire and can’t hold down a job to pay for his microwave burritos. Anyone who claims that it’s a virtue to remain a child at heart hasn’t seen the real world outcome: two physically mature sub-humans dressed as raccoons humping each other.

But, honestly, as long as they stay in their cold, dark corner of the Internet, I have no beef with the Neo-Nerd. If they stayed on their fan fiction and sword-collecting websites, all would be well. But, being completely unaware of their status as most undesirable, they occasionally venture out into the real world; their skin ghostly white, their sweatpants stained with long streaks of cheeto dust, hair greasy from an apparent abandonment of all tenets of personal hygiene, brains confused by light and three dimensions, compounded by their inability to separate themselves (worthless on virtually all measurable levels) from their MMORPG avatar (ninth level paladin dragon-slaying troll-bashing he-man love-machine). Whereas the Fattie is deluded enough to think that they can do magic, the Neo-Nerd is deluded enough to have a baffling amount of confidence.

You have probably encountered the Neo-Nerd if you are nerdy enough to read and understand SQR. He is the guy who will call you a “fag” even though he himself has never and will never know the love of a woman. He is the guy who will cite his skills at Halo as if they are really worth something beyond the typically advanced eye-hand coordination of the hourly masturbator. If you are stupid enough to engage the Neo-Nerd, he will spend the entire conversation criticizing you and everything you like or enjoy, even though later he will have to call his mother for a ride home. Basically, the Neo-Nerd’s mind and perception is so twisted by lack of reality that they believe their social inadequacies and unacceptability are actually benefits. Like all Assholes, the Neo-Nerd simply, and bafflingly erroneously, believes that they are better than you. Yes, you.

The Neo-Nerd is also incredibly skilled at the art of what we have previously termed conversation rape. Whereas the Fattie was maybe an apprentice-level conversation rapist, the Neo-Nerd will leave you in the shower, fully clothed and in the fetal position, sobbing and knowing that you will never be clean. There is one particular Neo-Nerd who stalks [Demarcations], whom the staff calls [Fat Bitch]. My latest encounter with [Fat Bitch] was when I was tasked with alphabetizing the science fiction series. I was working on our largest series, Forgotten Realms—which, as far as I can tell, is about long-haired people fighting abominable snowmen with crossbows. Because I was touching these books, [Fat Bitch] must have assumed I read them and would also like to talk about them even though I was clearly at work and too polite to put steel-toe to testicles. He stood over me for about ten or fifteen minutes, vomiting endlessly upon me his opinions on things with too many apostrophes and consonants to ever be pronounceable by anyone without a brain disease. Eventually I stopped even my stock of non-response responses (“uh huh”, “right”, “sure”, “K’frrd’nch does sound like a nice place to raise a half-elf”, etc.), hoping that he would get the subtle message that I hated him and wanted him to die. Just when I was about to open my jugular with my pen two more people walked into the section and [Fat Bitch] smelled fresh meat. I finished my section feeling like a helpless coward, not strong enough to protect those poor, innocent people from an hour-long conversation about which guild is the best in a place that is not real.

And so, friends, heed my warning! Should ye be approached by anyone wearing ankle-cuffed sweatpants who is not (A) in the immediate vicinity of a gym, (B) over the age of sixty-five, or (C) asleep, run! Run for the nearest and brightest source of light that is not a Best Buy or an establishment that regularly sells Hot Pockets! God forbid, if one should bite or scratch you, immediately wash the wound with soap, water, and the highest proof whiskey you can find, then fill your pockets with stones and walk into the nearest river or lake.

Remarkably, through this piecemeal taxonomy of individual species, we are quickly approaching a general rubric for Assholes. So far we seem to have two rules down:
1) Whereas the individual has a complete disconnect from reality (e.g. believing in magic, thinking that his or her Xbox Live gamerscore is comparable to carpentry or masonry or being actually able to do anything and be paid money for it).
2) Whereas the individual has a baseless claim of superiority (e.g. a lot of people reading their Smurfs fanfiction, having seen a boob once in Warcraft).

Be sure to tune in next time for more Asshole Taxonomy. Or other stuff. Or maybe I’ll go another two weeks without posting.

The Technodrome, Giant Robots, and the Collective Unconscious

On most Mondays during the Summer (and some Mondays during other times of the year) some of the Sports Quiz staff can be found at Cosgrove's--a nice, dark little pub on the edge of Green Ridge. Monday night is Quizzo night, which is fun for the whole family if your little ones enjoy hits of the 80's and 90's played at maximum volume, lonely old men, the occasional hip young twenty-something with nothing to do, and a host with a nearly supernatural inability to ask a direct question in less than fifty words.

I was there a few Mondays ago with my long-time friend and brother-in-arms, the playwright Robert John Parry, IV. As he steadily made disappear two white russians followed by a forgotten number of four horsemen (which would be enough to kill or at least induce considerable vomiting in mortal men), the questions became more and more sports-oriented--which is an area embarrassingly far outside of my expertise, while RJP4 is unmoved by our human proclivities for organized sport. Naturally, the conversation moved to a common topic of ours: namely, what in the crimson April fuck is wrong with Japan.

Well, to be fair, the conversation started out with Ninja Turtles. I am fascinated by the Technodrome, the lair/vehicle of the Shredder. From Wiki:

fig. 1.1: "The Technodrome at Sunset."

Even in this dramatic image, the Technodrome shows itself as an imposing and fearsomely ridiculous piece of equipment. The name comes from the German technodrommen, which means "big metal sphere with tank treads and an eyeball on top." Or, perhaps, is a portmanteau of technology and aerodrome. Which would make the Technodrome a really fancy airport. Or maybe they picked drome because it sounds cool, or because it sounds like dome and the whole contraption is kind of dome-like in a retarded way. The mystery continues.

One of the most fascinating aspects of the Technodrome was that it was always spoken about as if it were some hugely important and powerful weapon, but always ambiguously. One got the sense that even those that lived inside the Technodrome were uncertain of what, exactly, it did. Perhaps its greatest weapon was the confusion it would most likely cause upon arrival on the battlefield--its mysterious power being its complete inscrutability. And what, exactly, is the purpose of the gigantic eyeball? The Technodrome spent most of its time underground. The giant eyeball seems like more of a hindrance than an advantage in that situation. I imagine it was constantly getting stuck on rock formations. Or perhaps it was just a functionless hood ornament.

Furthermore, one can clearly understand the advantages of an underground lair. One can also clearly understand the advantages of a mobile liar. However, the combination of mobile-ness and underground-ness mitigates the advantages of both. An underground liar is difficult to get to while a mobile liar could be anywhere. If an underground liar is mobile, you are basically constructing a massive tunnel right up to your doorstep--and it can't really "be anywhere" because all one would have to do to find it is travel in one of two directions: follow the tunnel that goes this way, or follow the tunnel that goes that way. Also, cave-ins would naturally be an issue. I doubt the Shredder was some kind of rock doctor.

Aaanyway, RJP4 brought up that in the Japanese version of the Turtles they have the prerequisite Giant Robot which the Turtles drive or pilot or operate or transform into or whatever (I believe I found some evidence here: wait for the credits for the weird robots to start appearing). I also recalled that the Japanese version of Spider-man has this same confusing and unnecessary addition as well. This naturally brings about the question: why does Japan feel the need to insert the Giant Robot into everything--even places where it would be narratively inconvenient for a Giant Robot to be? If Japan does a production of Hamlet, does he scream into a wristwatch at the end, calling forth an enormous robotic version of himself, garbed in gunmetal with its trademark "ray of metaphysical doubt" weapon? And yet, here is Peter Parker, humble freelance photographer struggling to pay the rent--and also endowed with a robot the size of a skyscraper. With which to fight...gang members? Ah, like opening a can of peaches with a shotgun.

Because of the Giant Robots omnipresence not only in Japan's homegrown cultural artifacts but also being shoehorned into their imports and transliterations--regardless of the appropriateness--it becomes clear that the Giant Robot is some kind of Japo-Jungian archetype. Kind of like how all American heroes are basically cowboys in different wardrobes and situations...which is representative of our unconscious love of gay men.

RJP4 and I then spent the next hour or so trying to decipher what the Giant Robot may mean as a cultural symbol. I think most of Japan's fucked-uppedness in the eyes of the West can be traced back to the whole we dropped the World's most devastating weapon on them--twice. Unfathomable violence and destruction has the tendency to make people a little weird. Is it any wonder that the Japanese culture fetishizes innocence to a degree that would embarrass Holden Caufield? I mean, we disintegrated their children.

But that is really a separate and more disturbing discussion. I think that the Giant Robot fetish can also be traced back to that whole atomic business. It makes sense that a people that affected by devastating technology would in turn attempt to anthropomorphize and redirect that technology as some kind of protector. And who is it that almost always pilots or controls these Giant Robots? At least, in the original Japanese TV shows, it's most often children. Done and done. Another culture psychoanalyzed by Canada Jackson and RJP4, Existential Detectives.

The West has their own cultural warnings against nuclear warfare: post-apocalyptic visions of the future where the land is afire and Mel Gibson wanders in the midst of murder machines or vampires or zombies or vampire-zombies. But all of these are insufficient caveats. The strongest reason why we should never use nuclear arms is Japan. Japan shows us that the atomic bomb is more of a pervert bomb than anything else, and we would only surive through fondling each other on subways and showing hardcore animated sex on Saturday mornings.

"Look upon my works, ye mighty..."

But then, perhaps a couple of 20-something Japanese losers are examining our precious Technodrome and proclaiming how it clearly shows our obscene American obsession with small-to-moderate-sized robots and of-age, consenting human sexual partners. Is there nothing that relativism cannot fix?